Talented actors at all ages and stages. An honest-to-goodness hilarious accountant. Women whose sign language sings. A professor who specializes in stage combat.
They all came together Monday evening at the Tempe Center for the Arts for the 2009-2010 AriZoni Theatre Awards of Excellence, produced in association with Childsplay.
The event, a celebration of 20 years for the AriZoni organization, was hosted by Katie McFadzen of Childsplay and Ron May of Stray Cat Theatre. Katie was the one in the red dress.
The evening, meant to honor the finest of Valley theater from the previous season, had three “acts” — a youth awards ceremony, an adult awards ceremony and an after party (held at the Fiesta Resort Conference Center). What happens at the after party stays at the after party.
Both ceremonies opened with a video montage of Valley theater productions through the years and a performance of “If They Could See Us Now” — with hosts McFadzen and May exercising enormous restraint in saving the raciest content for act two.
During the youth awards, a bit about dancing cheek to cheek included only a charming bit of face to face time, but the adult ceremony had them bumping cheeks of a different sort (tastefully, of course). The adult ceremony also included more subtle (and not so subtle) political humor.
With the rest of the nation poking fun at Arizona politicians, pink boxer sorts and such, it only seems fair that we reserve the right to poke fun at ourselves.
Speaking of poking, the topic was one of many covered by McFadzen and May during their reading of the rules for the ceremony. “You may not poke me on stage,” quipped May, “or on Facebook.”
The duo also noted that acceptance speeches should be “deliciously short” at 20 seconds or less — although an exception was granted for a young man whose thank yous consisted of a long string of showtune lyrics.
It was sometimes difficult to hear the names of award winners because of the roar of the crowd. I remember Theater Works Youth Works being particularly rowdy at last year’s youth ceremony, but I’d have to give this year’s “loud and proud” award to Spotlight Youth Theatre — who have a real “the little theater that could” vibe.
I promise myself every year that I’m going to use my very best audience member etiquette — and there are plenty of times when I pull it off. But Lizabeth and I couldn’t help ourselves when one of her teachers at ASA, Toby Yatso, won two awards. I fully expect to see him holding a Tony Award one day because, as Lizabeth once told me, “he sparkles.” (To the people who sat behind, beside and in front of us — please pardon our enthusiasm.)
“Thank you mama for being here again to always support me,” chimed Yatso during one of his acceptance speeches. Plenty of award recipients thanked parents and fellow professionals, while some thanked their children for getting them involved with theater and inspiring them in a myriad of ways.
Several spouses (in all combinations of genders) thanked partners who worked alongside them at the theater or tended to home and family so the other could do their theater rat thing. My favorite was a gentleman who thanked his wife for staying home alone most nights to play “Halo” so he could indulge the lure of greasepaint.
Especially touching moments included the presentation of scholarships to three students studying theater, one of whom (Chelsea Groen) Lizabeth recalls acting with at Greasepaint Youtheatre as a young child. I’ll write a bit more about distinguished service and outstanding contribution honorees in a future post because their accomplishments are worthy of a higher word count.
Attendees paused for a moving moment of silence during the adult ceremony to remember three members of the theater arts community who died during the past year — Eleanor Hofmann, Scott Jeffers and Noah Todd — reflecting together that ‘there are now more stars in the sky to light our way and guide our hearts.’
I suspect we could all have some fun inventing our own awards based on Monday night’s ceremonies. My “shiniest” award goes to Katie McFadzen for a sparkling silver bustier (likely borrowed from Betty White) and Zachary Tatus, who donned a gold lame jumpsuit to perform the role of “Conrad” in a number from Spotlight Youth Theatre’s “Bye Bye Birdie.”
The “funniest five seconds” award goes to McFadzen and May for popping up through round holes in the stage to reveal a Viking headpiece and clown wig before the presentation of awards for hair and make-up design. Their use of a Childsplay prop in a rather unconventional manner might win second place — though the competition was stiff.
My “cuter than spit” award would have to go to AriZoni winner Zoe Whiting of “The Goats Gruff” with East Valley Children’s Theatre, who beamed alongside the podium as a tiny bundle of sincerity and enthusiam. I like her style.
Big winners in the 2009-2010 youth theater category included EVCT’s “The Goats Gruff” (Overall Production-Play), Spotlight Youth Theatre’s “The Diary of Anne Frank” (Overall Production-Play) and “Thoroughly Modern Millie” (Overall Production-Musical), and Theater Works Youth Works’ “Beauty and the Beast” (Overall Production-Musical).
In the adult category, winners among non-contracted theaters included ASU Lyric Opera Theatre’s “The Rocky Horror Show” (Overall Production-Musical), Nearly Naked Theatre’s “Evil Dead: The Musical” (Overall Production-Musical), Desert Foothills Theater’s “Unnecessary Farce” (Overall Production-Play), Stray Cat Theatre’s “Speech & Debate” (Overall Production-Play) and Theater Works’ “All My Sons” (Overall Production-Play).
Winners among contracted theaters included Actors Theatre’s “No Child” (Overall Production-Play) and Phoenix Theatre’s “The Light in the Piazza” (Overall Production-Musical).
I’m still trying to wrap my mind around Childsplay’s McFadzen performing in “Speech and Debate” and Dwayne Hartford (now appearing in “A Year With Frog and Toad”) directing “The Rocky Horror Show.” Watch for a future post toying with the many talents of Childsplay artists on and off the Childsplay stage.
Click here for a listing of winners in each youth theater and adult theater award category — and to join the AriZoni mailing list if you’d like to receive e-mail alerts including monthly newsletters. It’s a great way to stay informed about Valley theater offerings, resources and opportunities.
— Lynn
Coming up: Real-life high school musicals, Social justice takes the stage, More season previews, The fine art of sign language, Fun with film, Arts organization fundraisers